Entertainment Archive

‘Jail’ – of grim prison conditions and inmates’ tales (IANS preview)

New Delhi, Nov 2 – He is known for weaving reality with fiction and portraying the dark side of life in his films. Now director Madhur Bhandarkar’s ‘Jail’ that releases Friday will put the spotlight on the grim goings-on inside an Indian prison.

Co-produced by Percept Picture Company and Bhandarkar Entertainment, ‘Jail’ is the story of a common man who lands up in prison for unknown reasons. Starring Neil Nitin Mukesh and Mugdha Godse in the lead, it also has Manoj Bajpai in a pivotal role.

‘Every face has a story. It was very interesting to see so many people in the jails I visited for the film… all hoping to some day get liberty and their freedom. I follow the real life and not the reel life. I always try to give hope to the people with my films and people are really looking forward to ‘Jail’,’ Bhandarkar told IANS.

‘It was a very difficult film to make considering the details as to how a jail works…I interacted with a lot of inmates, authorities and observed the ambience, keeping the length of the film appropriate. It’s a very compact film,’ he added.

In the film, Parag Dixit (Neil) has a dream life with a great job and a great girlfriend in Maansi (Mugdha). But things take a turn when after a series of unfortunate events he suddenly lands up in jail – handcuffed and frequently beaten up by the cops.

He is stuck and in a place far far away from his dream life. The only comfort he finds is in Nawaab (Manoj), a convict and a warden who believes that Parag is innocent.

Soon Parag discovers the inner mechanism of prison life and reasons behind the wretched status inside jail — and how hordes of broken hearts and shattered souls manage to find comfort amidst the four prison walls.

He has to make a choice – to either live a life that is controlled and exploited or fight against the system.

‘It’s one of my most difficult characters I’ve portrayed…Whatever has been portrayed in this film is extremely authentic and real. It’s a different life, a different area and a completely different world there (inside a jail),’ said Neil.

‘No matter what is said about how they are looked after or their food and hygiene, you don’t want to land up there. It’s been an extreme learning process for me while doing the film because I have literally lived as Parag Dixit, an inmate,’ he added.

One of the songs in the movie ‘Daata sun’ has garnered mass acceptance. Sung by Lata Mangeshakar, it has already become the evening prayer of the capital’s Tihar Jail.

Giving ‘Jail’ competition at the box office would be the Ranbir Kapoor-Katrina Kaif starrer romantic comedy ‘Ajab Prem Ki Ghazab Kahani’ that releases the same day.

Ranbir, Katrina end WIFW grand finale in style

New Delhi, Oct 29 – Bollywood actors Ranbir Kapoor and Katrina Kaif sashayed down the ramp at the grand finale of the Wills Lifestyle India Fashion Week (WIFW) for designer Rohit Bal, bringing down the curtains of the five-day event in style.

Dressed in an embroidered white sherwani, Kapoor Wednesday night managed to steal the hearts of many girls in the audience, who couldn’t stop gushing about the star’s chocolaty looks. Pretty Katrina Kaif, attired in a short white dress, looked like a Barbie doll.

Another highlight of the show was a live performance by Orissa’s Prince Dance Group that recently won the dance reality show ‘India’s Got Talent’.

Since Bal is always associated with grandeur, the sets reflected flamboyance and style.

The glass ramp had gold lotus flowers underneath. The main show area was draped with golden curtains.

Complementing the ambience perfectly were the clothes that talked about the Mughal era when India was the land of maharajas (kings).

The collection was appropriately called Yasas, which means grand in Sanskrit.

Talking about his collection, Bal said: ‘The collection is a reflection of incredible talent that we have in India in terms of artisans and craftsmanship. The line is an ode to India’s rich heritage.’

‘It is about India, which was once known as the ‘Golden Peacock’. Through this line, I am bringing that golden era back to India,’ he added.

The collection had a mix of brocades, velvets in the pre-Mughal and Mughal designs like long and short anarkalis, sherwanis, jodhpuri pants, dresses and long coats.

The collection will also be retailed through Wills Lifestyle outlets across India.

The ‘real’ Satyajit Ray – caught on camera

Bangalore, Oct 29 – He took Indian cinema to the world stage. But very few know that Oscar-winning film director Satyajit Ray while being a perfectionist was almost an ‘autocrat’ when it came to filmmaking, right from scripting to camera handling to direction.

A rare series of photographs depicting the ‘real’ Ray – the man and his passion – are currently being depicted at an exhibition hosted by the National Gallery of Modern Art (NGMA), Bangalore.

Titled ‘Satyajit Ray: From Script to Screen’, it displays a suite of photographs by Nemai Ghosh who was closely associated with Ray. With 101 photos, the month-long exhibition was inaugurated by Jawahar Sircar, secretary in the union culture ministry Tuesday evening.

‘Satyajit Ray is a film institution. Nobody can take his place. The exhibition is an attempt to discover the man and his work. We’re grateful that Ghosh made an attempt to capture some of the most interesting moments from his life,’ Rajiv Lochan, director of NGMA, told IANS.

Narrating his close association with Ray, the director who made films like ‘Pather Panchali’, Ghosh said, ‘I was lucky. I came in touch with Ray during the beginning of my career in photography in 1968. I saw him closely while he was at work. Be it during the shooting schedule or while writing his scripts, he was like an autocrat. He took control of the entire cast and crew.’

Most of the photographs at the exhibition depict Ray deeply engrossed in his work during the shooting of his films. Many of the film frames that Ray would sketch before proceeding with a shoot were snapped up by Ghosh and these photographs are now on display.

‘These are rare moments from Ray’s life and his works. He belonged to a rare breed of filmmakers who was a complete perfectionist. I spent hours with him, trying to know the real man the world knows as Satyajit Ray. My photographs are pieces of understanding of the real Ray,’ added Ghosh.

Ray, who shifted to filmmaking from advertising, directed 37 films, including feature films, documentaries and shorts.

With his debut film ‘Pather Panchali’ (1955), a modern-day Bengali classic, bringing into light rural life and its struggles, Ray brought worldwide attention to Indian cinema at large. Apart from an Oscar, Ray was honoured with several national and international awards. He passed away in 1992.

(Maitreyee Boruah can be contacted at m.boruah@ians.in)

My role in ‘Paathshala’ is just about 30-40 minutes: Shahid Kapoor

Mumbai, Oct 29 – Shahid Kapoor’s ‘Paathshala’, which has been ready for the last one year, will finally hit screens next year and the actor says his role is substantial even though it is not long enough.

”Paathshala’ is small in comparison to some other films that I am doing. Moreover, I not a quintessential hero in the film. However, it isn’t as if I have a special appearance in the film, as has been speculated by some. I have a substantial role that lasts for 30-40 minutes in the film,’ Shahid, who had two releases — ‘Kaminey’ and ‘Dil Bole Hadippa’ this year –, told IANS.

‘Paathshala’ was earlier being co-produced by choreographer-turned-filmmaker Ahmed Khan with Big Pictures. However, as per current developments, Eros International would be presenting the film.

The first look of the film was revealed a year ago with ‘Karzzzz’. It was expected that the film would release in January 2009, but it continued to move ahead. Directed by award-winning Marathi film director Milind Ukey, ‘Paatshala’ is expected to release in the first half of 2010.

‘Yes, the film moved from Big Pictures to Eros and they would be making plans to line up the film in a proper manner. However, I am sure they would have the right campaign in place for the film’s release. The film has to be protected and released when there is no other film of mine coming up,’ said Shahid, who plays a teacher in it.

The film brings together Ayesha Takia with Shahid after ‘Dil Maange More’ and ‘Fool-N-Final’. Incidentally, the two had worked together years ago as child artists in the famous commercial for the health drink Complan.

The film also stars Nana Patekar along with child artists Swini Khara, Ali Haji and Dwij Yadav.

Set against the Indian education system, ‘Paathshala’ deals with contemporary and socially relevant issues regarding children. It claims to carry a heartfelt message for children, parents and teachers.

‘It’s a very socially relevant film and talks about the education system in the country. I am really happy to have played a role in it. I have seen the rushes of the film and really cried throughout. I get really emotional when watching a film. Even during ‘Taare Zameen Par’, I cried throughout and was looking around me if anyone was watching me,’ he said.

Unlike ‘Taare Zameen Par’, which was shot on real locations, ‘Paathshala’ was filmed on a set. To give it an authentic look, Khan had erected a massive set of a school at Film City — it consisted of class rooms, dormitories, principal’s cabin, staff rooms, half a dozen huge corridors, basket ball court, garden, assembly hall, music room and canteen.

Why is Pinki not smiling?

Lucknow, Oct 28 – Pinki has a reason not to smile right now. The child protagonist of Oscar-winning documentary ‘Smile Pinki’, who shot to international fame after she attended the Academy Awards in Los Angeles earlier this year, has been frantically trying to get the authorities to keep their promise of turning her village in Uttar Pradesh into a model village.

Leading a group of locals from her native village Rampur Dabai in Mirzapur district, some 300 km from Lucknow, Pinki has visited different government offices in the past week to enquire about the status of welfare schemes announced earlier this year.

Pinki’s uncle Ram Sakal told IANS on phone: ‘She (Pinki) along with other villagers has been running from pillar to post to get the welfare schemes implemented at the earliest.’

‘Even as Pinki now lives in Lucknow, her association with the village and the desire to do something constructive for the villagers have prompted her to meet the officials and remind them about the promises made for the development of the village.’

According to villagers, the authorities in Mirzapur had said they would develop Rampur Dabai as a model village after ‘Smile Pinki’ won the Oscar.

‘Smile Pinki’ is a 39-minute documentary made by Megan Mylan that shows the story of a poor girl in rural India whose life is transformed when she receives free surgery to correct her cleft lip. The documentary was made in Hindi and Bhojpuri and won the 81st Academy Award for Best Documentary (Short Subject).

A few months ago Pinki left her native village after the authorities of the Lucknow Public Schools and Colleges (LPSC) decided to impart free education to her and enrolled her at one of their school branches in Hardoi district, some 110 km from Lucknow.

‘Most of the assurances that were made for developing our village are still to be fulfilled,’ said Siddhnath Singh, a Panchayat member.

‘The promises made on setting up a junior high school, a community centre, electrification and solving the water crisis are all yet to the fulfilled,’ he added.

‘We feel the girl (Pinki), who has now become an international figure, will definitely have an impact on government officials for execution of development schemes,’ said Siddhnath Singh.

Chief development officer V. Ram of Mirzapur said the authorities were trying their best to develop Pinki’s village as a model village.

‘She put the name of the village on the international map. Serious efforts would be made so that the village gets its desired share,’ said Ram.

(Asit Srivastava can be contacted at asit.s@ians.in)

Assam’s travelling theatre coming to Delhi

Guwahati, Oct 28 – One of Assam’s popular travelling theatre groups that play to packed houses in both urban and rural areas is all set to entertain crowds in the national capital.

The National School of Drama (NSD) has invited the mobile theatre group Kohinoor to stage six shows in New Delhi in April.

‘Mobile theatre is a movement in Assam and for decades we have been entertaining people across the state. It would be a major boost for us to showcase our talents and give a national platform to mobile theatres courtesy NSD,’ Ratan Lahkar, proprietor of Kohinoor theatre, told IANS.

Despite jazzed up cinema complexes and satellite television, mobile theatres are a rave in Assam.

‘It is indeed a matter of great pride to find mobile theatres being able to captivate so many people despite modern cinemas and a variety of television channels available to the audience,’ said Arun Sharma, a noted Assamese playwright and Sahitya Akademi award winner.

With regional cinema in the doldrums, actors, musicians, directors and technicians found an alternative livelihood in the highly popular mobile theatres.

‘It would have been a silent death for hundreds of people involved in the Assamese film industry but for the mobile theatres,’ said film critic Sibanu Baruah.

‘Actors, musicians, directors and technicians are today earning more from mobile theatres than they did from films,’ he added.

The theatre groups, which belong to a tradition stretching back more than four centuries, have multiplied to over 30.

Thousands of people prefer to sit in grassy fields to watch the plays with themes ranging from contemporary events to mythologies, Greek tragedies, Shakespearean plays and Indian classics.

The modern commercial form, which emerged in the late 1960s, has clung to its community roots with troupes often performing 10-minute sketches before the main show on subjects like AIDS and drug abuse.

The troupes themselves are mini communities, each comprising more than 100 actors, technicians, cooks and general helpers, who travel together on the road for eight straight months beginning August and perform in villages and cities across the state.

‘An average of 800 to 1,000 people watch a show and that in itself is an indication of the popularity of the mobile theatres,’ said Biswa Saikia, owner of one of the theatre groups.

Some productions were such hits that dozens of foreign television crews and journalists trailed the travelling theatre groups through slush and mud in the interiors of Assam.

The staging of plays like ‘Lady Diana’, ‘Titanic’ and the re-creation of the 9/11 terrorist attacks on the World Trade Centre in New York were instant hits.

‘Basra’ will be out of the box: Abhay Deol (Interview)

New Delhi, Oct 28 – As an actor he loves to experiment and as he turns producer with ‘Basra’, Abhay Deol promises to be high on content. He says the action thriller will not only keep audiences on the edge of their seats but also make them think.

‘There are three genres — romance, comedy and action. They are mainstream inherently; so what I’m doing is taking a commercial genre and within it experimenting a little bit,’ Abhay told IANS in an interview.

The film is going on the floors early next year. Abhay has roped in Navdeep Singh of ‘Manorama Six Feet Under’ to helm the project that will feature him along with Shahana Goswami and another girl whose name has been kept secret.

‘ ‘Basra’ is high on content, but a good dose of action sequences will make it edgy and pretty dark as well. In other words, it is a mainstream movie but also has something that will make people think and keep them on the edge of their seats,’ he said.

‘The thing about action films is that they are high on drama in terms of action sequences, have songs and other things, but content is secondary. For me, the idea was to get something that has content so that the action has some meaning. That’s when ‘Basra’ came in,’ he added.

The 32-year-old was launched by his uncle Dharmendra with ‘Socha Na Tha’ in 2005. He then went on to prove his mettle with films like ‘Ahista Ahista’, ‘Manorama Six Feet Under’, ‘Ek Chalis Ki Last Local’, ‘Honeymoon Travels Pvt. Ltd’ and more recently ‘Dev D’.

When asked what motivated him to don the producer’s hat, Abhay revealed: ‘I had bad experiences in the past, with ‘Manorama…’ being the classic example where the director did his job – he made it well, actors gave their level best but when it was the producer’s turn to distribute and market the film, it was nowhere to be seen.

‘Not just ‘Manorama…’, I had been through this for some of my other films too. I realised that I need to protect my films because the director will move on, the producer will move on too but as an actor I will be considered a flop if things will not work.

‘I also realised I need to protect myself,’ he explained.

Along with that he also wanted to give a platform to new and dynamic directors to make films that have quality content.

‘The idea was also to provide platform to filmmakers to make the kind of movies they want to make — probably high on content, low on budget. Let’s see where the formula goes and then I will take it from there,’ said the actor, who was in the capital to attend the 11th Osian’s Cinefan film festival where two of his films, ‘Dev D’ and ‘Oye Lucky! Lucky Oye!’ were screened.

So does he plan to sign his cousins Sunny and Bobby Deol for his home productions?

‘I would love to sign them for my films but it also depends on whether the role is right for them. So I don’t think I will be able to approach them for my first venture, but something in the future definitely,’ said Abhay.

Right now the actor is excited about his upcoming film ‘Road’ with Dev Benegal and his romantic film ‘Ayesha’ with Sonam Kapoor.

(Ruchika Kher can be contacted at ruchika.k@ians.in)

Zayed Khan’s ‘Blue’ stunts scared his parents

Mumbai, Oct 27 – Actor Zayed Khan says that when his parents Sanjay and Zarine Khan watched his heart-in-the-mouth motorcycle stunts in recently released ‘Blue’, they threw a fit.

‘When I saw their reaction, I had to do some quick thinking or else my parents would freak out and probably order me to give up movies. My helmet, which covered my face through most of the mo’bike racing scenes, saved me. I told them it was a body-double doing those stunts,’ Zayed told IANS.

But the fact is Zayed did most of the action scenes.

‘I had accepted the role only so I could do these stunts. Except when my bike jumps on to a train, all the other stunts are mine. And that train stunt I didn’t do because my action director said he wanted me to be alive to complete the film,’ he said.

Released Friday, the underwater thriller is directed by Anthony D’Souza and also stars Sanjay Dutt and Akshay Kumar.

Ever since Sanjay’s near-fatal fire accident in 1989 in Mysore during the shooting of the serial ‘The Sword Of Tipu Sultan’, Sanjay and Zarine are paranoid about shooting mishaps. Sanjay suffered extensive burns and almost lost his life.

When their only son Zayed decided to become a movie actor, their first and only pre-condition was, no dangerous stunts.

‘It was almost like a holy diktat, not to perform anything that would be potentially harmful to me,’ said Zayed.

Until ‘Blue’, where on the script level itself Zayed could see that his two lengthy bike chase sequences on the Ducati 999 were potentially more lethal than anything the average action hero performs.

‘I had two options – either say no to the most exciting role I had been offered so far. Or hide the truth from my parents,’ he said.

Zayed chose the latter option. And went on to do the stunts with his heart in his mouth. ‘Not because I was scared, but what would my parents think and say when they saw what I had done.’

Zayed hopes his parents accept the truth. ‘If you are an actor, you gotta do it all. One can be wounded even while standing under a roof. Jo hona hoga woh hoga (whatever has to happen, will happen),’ he said.

Exhausted Asin spends a quiet birthday

Mumbai, Oct 27 – Asin Thottumkal, whose back-to-back promotional campaigns for ‘London Dreams’ left her exhausted, ushered in her birthday quietly with a few friends and family members. She says it was the most ‘peaceful and happy birthday’ of her life.

‘Actually I hadn’t slept at all. I had been working non-stop for ‘London Dreams’ for the last one week with just three-four hours of sleep. Anyway I’m making up for the exhausting week with the most peaceful and happy birthday of my life,’ Asin, who turned 24 Monday, told IANS.

Asin brought in her birthday with a quiet dinner on Sunday night with her close friends. ‘It was eight of my closest friends at dinner. We had a ball. At midnight they made me cut a cake. I felt 12 years old again.’

Earlier during the evening Asin arrived home to a big surprise.

‘When I opened the door the entire house was done up with balloons by my parents, just like they used to do for my birthdays when I was a child. I had to burst quite a few balloons because there was no room to even walk. I’ve never felt happier,’ she said.

On her birthday the actress gorged on food and has regained all the weight that she had to lose for her role in ‘London Dreams’.

‘I had to be much thinner for my character. Now in 24 hours I think I’ve regained all the weight that I lost for ‘London Dreams’. I’ve been gorging non-stop on chocolates and chocolate cake. And there’s still so much left,’ said Asin, who made it big in Bollywood with ‘Ghajini’.

The second-half of the day was devoted to the kids in her highrise apartment. They all love their Asin didi and wouldn’t miss her birthday for the world.

‘Fortunately, there was enough cake and chocolates to go around. So it was great fun. This is the best birthday I had. I woke up to god knows how many SMSes and missed calls. I can’t believe so many people remembered my birthday and cared about it,’ she said.

But by far the best part of her birthday was provided by her parents. ‘When I saw the trouble they had taken over decorating my place, I decided then and there that I’m the luckiest girl in the world.’

Lataji is my Saraswati: Rekha Bhardwaj (Interview)

New Delhi, Oct 27 – Her voice is husky and sensual, very different from that of the singing legend Lata Mangeshkar, but playback singer Rekha Bharadwaj still considers the nightingale of India her idol and describes Lata as Saraswati, the Hindu goddess of learning.

‘Lataji is my Saraswati. I am very fortunate that I got a chance to see Lataji’s recordings and the way she prepares for a song. She is something else. Nobody can be her. We cannot reach that level,’ Rekha told IANS.

The singer says every song by Lata is a lesson in itself. ‘Whenever I need to learn something, I listen to her songs and see where she breathes out, where she breathes in, etc,’ she said.

Rekha feels that such was Lata’s talent that she used to lift even mediocre compositions with her voice.

‘Even at that time there were some mediocre compositions, but when someone like Lataji used to sing it she used to take it to some other level altogether – such is her talent.’

Rekha, who is married to filmmaker-composer Vishal Bharadwaj, has musical roots that lie in Sufi, folk and classical genres. She released her first album ‘Ishqa Ishqa’ in 2004 to critical acclaim. However, it was her song ‘Namak ishq ak’ in her husband’s directorial venture ‘Omkara’ that really won her accolades.

The singer has carved a niche for herself and is known for hits like ‘Genda phool’ from ‘Delhi-6′ and ‘Pehle baar mohabbat ki hai’ from ‘Kaminey’.

When asked what took her so long to showcase her talent to the world, Rekha said that she was waiting for the right songs.

‘I am very glad I started getting songs that I like and fit my style and understanding. I waited and it paid off,’ she said.

‘Today there are no limits or confines for a singer. Any singer can sing any song. So even though I have a different voice, I can sing a romantic number or may be something else, provided I like it,’ she added.

Rekha, who is planning to launch her second album next year, was in the capital to attend the 11th Osian’s Cinefan film festival and to give a surprise performance of selected Gulzar songs at the inaugural ceremony in honour of the lyricist.

‘I am attending this festival for the first time. Gulzar saab got the lifetime achievement award here. It’s an honour to be able to do something for Gulzar saab. My performance was a surprise and we managed to keep it a surprise till last moment – that was a great thing,’ Rekha said.

The singer will be next heard in films like ‘Radio’, ‘Ishqiya’ and ‘Raavan’.